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Well, most of the stuff I've written is blank verse, or free verse, or some combination of the two. Not that it's that good or anything, or that I'll be subjecting you to any of it.
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Fragments of pottery, basketry, fabrics, wearing apparel, bits of modeling, faded touches of color, record the age-long striving after perfection. Shattered temples, shrines, sanctuaries, holy places, reveal the yearning of the human spirit to find, to unite with, the Divine. By way of ritual, rhythm, song, and symbol, man approaches the deific presence.
Get excited over nothing.
I believe that the works that I hold closest to me are those that frightened and disturbed me: those that snuck into the far corners of my mind and started to pick away until the whole of my thought caved in to a mountain of self study and assorted psychological ponderings. Each one, at least initially, scared me because of how much of myself I found in the pages.
It was a cattle ship so I disguised myself as a steer and rode in steerage.I have a new favorite radio show.
He didn't say it would be easy, He just said it would be worth it.
The weight of this sad time we must obey,
Speak what we feel, not what we ought to say,
The oldest have borne most, We that are young
Shall never see so much, nor live so long.-William Shakespeare; The History of King Lear
Give me a golden pen, and let me lean
On heap'd-up flowers, in regions clear, and far;
Bring me a tablet whiter than a star,
Or hand of hymning angel, when 'tis seen
The silver strings of heavenly harp atween:
And let there glide by many a pearly car,
Pink robes, and wavy hair, and diamond jar,
And half-discover'd wings, and glances keen.
The while let music wander round my ears,
And as it reaches each delicious ending,
Let me write down a line of glorious tone,
And full of many wonders of the spheres:
For what a height my spirit is contending!
'Tis not content so soon to be alone.
I waltz just enough to comply with tradition,
then I sneak off to more rewarding activities. BRANDY!!--Prince Hapnik, The Great Race
Introduction to Poetry
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem's room
and feel the walls for a light switch.
I want them to water-ski
across the surface of the poem
waving at the author's name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
1) I never have to think about flight initiation in robins again.
2) I can post.
3) I actually get to go to bed now and manage a good 3 hours of sleep.
I'd like to retire there and do nothing,
or nothing much, forever, in two bare rooms:
look through binoculars, read boring books,
old, long books, and write down useless notes,
talk to myself, and, foggy days,
watch the droplets slipping, heavy with light.
-Excerpt: Elizabeth Bishop's "The End of March"-
The only thing he saw when he walked in,
was Olive.
She had her back to him,
standing at the sink,
washing the dishes.
The shelves around her were empty,
except for the pots.
And everything was color,
except for Olive.
A brown skirt.
Brown,
bland,
and Olive.
The dishes clinked,
stacked one at a time.
They would have to be dried,
by those hands.
Arthritic now
but then, past, so vary able.
Now they washed dishes,
slowly.
You're Watership Down!
by Richard Adams
Though many think of you as a bit young, even childish, you're
actually incredibly deep and complex. You show people the need to rethink their
assumptions, and confront them on everything from how they think to where they
build their houses. You might be one of the greatest people of all time. You'd
be recognized as such if you weren't always talking about talking rabbits.
Take the Book Quiz
at the Blue Pyramid.
Via TSO.